Ground Zero, Ellsworth Kelly, 2003The attacks on World Trade Center once seemed to me like something that demanded a clear, unequivocal design response. But after four years of political
jockeying, architectural
gestures, litigious
countergestures, and cynical commitments to culture that barely qualify as lipservice, the role of design at that charged, emotional site seems more ambiguous, and contested, than ever.
In September 2003, the artist
Ellsworth Kelly sent architectural critic
Herbert Muschamp a collage representing his proposal for the site: nothing. Or, rather, a simple rounded carpet of green grass. "I feel strongly that what is needed is a 'visual experience,' not additional buildings, a museum, a list of names or proposals for a freedom monument." These, wrote Kelly, would be "distractions from a spiritual vision for the site: a vision for the future."
The urgency of a massive new building project in an overbuilt market, at a moment when hundreds of thousands of Americans have been rendered
newly homeless, is worth questioning. Kelly's proposal, which stuck me as a copout two years ago, now seems honorable and wise. There will be time enough for building.
Comments [11]
09.12.05
02:13
Many bespeak the benefits of art, design, architecturethat it provides alone the transcendence people need to persevere. But too often this conceit feels self-serving, if not a cop out from actually getting out of the studio to help in more direct ways. (I am not without sin myself.)
Tragic incidents such as these erase boundaries between us, rendering our specific roles in society almost moot. Our responses should be, first, as human beings, not designers. If design is the means, so be it, but not to design's end should our responses be directed. I personally am quite moved and humbled by the efforts of the Winterhouse folks, the AIGA, and Displaced Designer among others, since these actions are simply about assisting othersno fancy posters or websites espousing self-righteous polemics or fingerpointing. No "blame game" here. (Though I do await a searing indictment of FEMA from William D. in a future post.)
As I sit here and type, late on a Sunday and into Monday morning, between backlogged projects that need to be finished, in between newscasts from New Orleans and New York, before I head to Boston with the rest of you 3,000 like-minded folk to exchange ideas and pleasantries over cocktails, I pause to think not only about the ways design might make the world a slightly more liveable place, but how I might be a better human being and not let my design work get in the way of that progress.
09.12.05
02:33
I personally feel very detatched from the whole incident (although my life too has been effected by it to a great extent), but can still understand the difficult situation you're in.
The problem is that for a wound so deep as the 9/11-incident, no architectural wonder is going to be enough.
09.12.05
05:19
09.12.05
04:18
For my money the most unique and impactful identity designed in the New Millennium thus far.
DM
09.12.05
05:54
And so a certain circumspection seems only appropriate. And open space seems like a great start to such a use of that area.
Before moving out of Boston last year, I walked along the route of the former elevated highway downtown -- and while ground level was still largely a construction site, the feeling of sunlight and openness was wonderful, and has the power to completely transform that city. If the local politics don't kill the promise.
09.13.05
12:55
Of course the skyscraper is part of the New York identity, and the skyline an essential part of its image. But when I walk around Manhattan, my favorite parts are 4 to 12 stories tall, like the rowhouse blocks in the Village, or lower Fifth Avenue, which is so much more pleasant for walking than Fifth Avenue in midtown. There is more sunlight and sky, the sidewalks are busy but not crowded, and the masonry loft buildings have more character and provide more spatial enclosure than the all-glass buildings uptown.
We don't need more towers. The comment about problems with energy use in the future is right.
When you stand in the middle of Freedom Square, you'll think you're in New Houston. Look here. How is it that Libeskind thinks this is avant garde, and Childs thinks his building is "innovative"?
There are many here who appreciate Modernism. Does anyone disagree with what I said above?
09.13.05
04:57
Call it 'If Central Park is central then this is Lower Hemisphere Park' : )
Rebuilding in low-lying areas in New Orleans parallels.
I consider it foolish squandering of resources.
So build the green hill and make sure it slopes gently for most of the peripheral area to allow for future housing. It may as well have a good 'climb', or two, to provide extra fat-burning opportunities for park visitors.
09.17.05
04:32
After all, this is America....and I think we believe in capitalism first.
09.26.05
01:54
Miss Representation weighs in with few more choice words here.
09.29.05
11:01
10.10.05
01:54