Debbie Millman | Design Matters with Debbie Millman
King Princess
Dana Arnett + Kevin Bethune | The Design of Business | The Business of Design
S10E10: Kunal Kapoor
Kaleena Sales + Omari Souza | The Design of Business | The Business of Design
S10E9.5: Minisode
Victoria Solan | Essay
Meet Me Under the Bents
Steven Heller | Essays
The Thrill is Gone: A Collector’s Lament
Susan Morris | Essays
Design+ at Sundance, Slamdance, and the NYFF
Ken Worpole | Gallery
Tidal Pools: Photographs by Jason Orton
Adrian Shaughnessy | Books
Impact
Adam Harrison Levy | Essays
Jump Cut: Thoughts on Editing
Michael Bierut | Essays
Errol Morris Blows Up Spreadsheet, Thousands Killed
Adrian Shaughnessy | Essays
Books. Still not dead.
Jason Grant | Essays
Against Branding: Part 2 — Design and Happiness
Michael Bierut | Essays
The Rendering and the Reality
Adrian Shaughnessy | Essays
Philosophy, Graphic Design and Virtue of Clarity
Laura Scherling | Essays
How Micromobility Vehicles are Redesigning Global Transportation Systems
Jason Hill | Books
Artist as Reporter
Connect 4 | Audio
Man-Wai Cheung and Angel Blanco: “Mom, Dad, I Want to Be a Designer”
Jessica Helfand | Essays
All Things Matter
Ellen Lupton | Terms of Service
Confidence Equity
Robert Finkel + Shea Tillman | Books
The IBM Poster Program
Steven Heller | Essays
Incompetence Is a Skill
Jessica Helfand + Ellen McGirt | Audio
S9E4: Na Kim
Adrian Shaughnessy | Essays
The Designer's Virus
Jessica Helfand | Essays
Death 'N' Stuff
Jessica Helfand | Essays
How Hollywood Nailed The Half-Pipe
The Editors | Watch This Space
Design Observer Community Session: Barbara Glauber
Debbie Millman | Audio
Celebrating Pride
Connect 4 | Audio
Jonathan Jackson and Avalon Garrick: Time for Change


Observed


Corn husks were just the start: a Mexican designer in London writes his own rules. [JH]

Wieden+Kennedy London launches standalone branding and design studio—called—NOT Wieden+Kennedy. (Play their logo generator yourself, here.) [JH]

Inclusive design, at Microsoft. [JH]

Best design stories of 2022, from The Guardian. [JH]

Penmanship, cursive, handwriting—what’s the point? [JH]

Set on half an acre in the lovely hamlet of High Falls, New York, the studio that once served Marc Chagall is for sale. [JH]

After escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. (There’s hope for us all!) [JH]

Weird and wonderful artifacts, via Jason Kottke. [JH]

Design fiction—a speciulative pracrtice that combines science fiction, design thinking, and foresight—might be the next innovation in business. [JH]

For the love of drawing. [JH]

Design and sex. [JH]

Design nerds—rejoice! [JH]

In the latest issue of Print, Paul Sahre discusses his grammy nomination with Debbie Millman. [JH]

Both standard and limited collector’s editions of MuirMcNeil’s System Process Form are now available at Volume, together with a range of uniquely seductive rewards.

Also from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. Compiled by Burgess and Louise Colbourne, This Is Hardcore is available for pre-purchase now. [JH]

We were sad to hear that the visionary George Lois, died last week. He was 91. [BV]

Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]

Art and immersion, according to David Hockney. In London, through April. [JH]

Striking art and design faculty at Parsons and The New School make headlines—as they should. [JH]

Wakanda Forever‘s costumes represent a coming together of cultures. [BV]

Japandi! [JH]

Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]



Jobs | January 31